The Protagonist’s Physical and Social Conditioning in Charlotte Perkins :: English Literature

The Protagonist’s Physical and Social Conditioning in Charlotte Perkins Gilman’s The Yellow Wallpaper. The wife, protagonist, in â€Å"The Yellow Wallpaper†, by Charlotte Perkins Gilman, is trapped. Suffering from a â€Å"slight hysterical tendency† (p 676), an affliction no one really understands, her husband, a physician, prescribes a treatment, which offers her little support to be well again. Her condition is further aggravated by limitations of her social role as his wife. She is confined, controlled and devalued by her husband. She is powerless to renegotiate her situation. She is trapped by her treatment, her environment and her social role as a wife, with no hope of change. Given the hopelessness of her situation, she chooses to overpower what she can defeat, a figment of her imagination. The setting is a colonial mansion, which the husband, John, has rented as a place of respite for her recovery. It is run down and neglected, like his wife – run down from her illness and emotionally neglected, as her desires are overruled by his practicality. The mansion has housed children in the past. The nursery serves as the couple’s bedroom, where â€Å"the windows are barred† (p 677), to prevent the children from injuring themselves from a fall. Like the children, she is protected and imprisoned. This â€Å"atrocious nursery† (p 677) is covered with â€Å"a smouldering unclean yellow† (p 677) wallpaper, which becomes her obsession. Surrounding the mansion is plenty of fresh air, an aspect of her treatment. But the wife suspects an air about the house -- an air of an unwanted presence. Being isolated, the mansion is a perfect place for her confinement, another aspect of her treatment. Her husband has prescribed a version of the â€Å"rest cure†[1]. His â€Å"rest cure† amounts to being idle. The wife is a writer with artistic sensibility. She is deeply offended by the yellow wallpaper and its â€Å"sprawling flamboyant patterns committing every artistic sin† (p 677). She needs an outlet to express herself, through writing, but is prevented from doing so, as part of her â€Å"rest†. However, she still writes, covertly. John is a physician, an expert on physical illness. Being practical, he is not predisposed to be an expert on the artistic temperament. She disagrees with her treatment, but remains silent on that issue, displaying appropriate wifely behaviours. To be appropriate, to exhibit â€Å"proper self-control† (p 676) is required as his wife in the nineteenth century. She is the property of her husband and must appear to submit to his will. John is, by modern standards, a control freak -- a well intentioned control freak. He controls her environment by choosing the mansion and the choice of